Wednesday 6 February 2013

Darwin & Do-Overs, by Lea Ann Robson



Twenty years ago I hit St. Croix like a trop storm, all full of random energy going every which way.  I had just turned thirty & was coming from a type A job (Claims Rep) in the type A capital of the free world—Maryland/D.C.  I had adapted to that life fairly well despite being, in actuality, about a type G minus. 

 

So when our pipe-dream became (against all odds) a reality & we moved to St. Croix in the US Virgin Islands, I made that landing complete with a shiny resume’ chock full of declarative statements & action verbs, a suitcase full of power suits, & several pairs of very controlling control-top pantyhose.

 

Despite a Liberal Arts degree & multiple, seemingly unrelated majors & minors, I had only worked at one profession since I graduated & so my paper pedigree appeared much more focused & driven than the actual me.  So I hit sort of a paradise catch 22.  I needed a paycheck, so I sought jobs my resume’ said I was suited to (pun intended) & papered all the local insurance agencies with my applications.    

 

I tried to ignore the long, gaping looks & sniggering reactions to my forthright self, my linen-textured resume’ & the aforementioned control-tops.  In twenty-odd offices I was variously ignored, tolerated, placated, blown off, or met with ringing silence comparable to what a kangaroo might encounter upon trying to hail a taxi or order a latte. 

 

So, having been a lifelong fan of Darwin, I took a step back, sized up the preposterousness of my approach, & calculated how best to adapt & survive in this new environment.  At last seeing it through the eyes of those I had approached, I finally laughed at what they found funny—this typing-paper-white woman dressed in ridiculously inappropriate-to-the-heat garb, presenting a piece of paper that might just as well have stated “I have no idea where I am & I won’t last 6 months here, so please give me a job!”  Once I saw it as they did, I lost my nerve & knew I had to have an alternate plan.

 

So I went home & built my loom.

 

Not kidding, that is really what I did. 

 
My loom today, displaying another product of ADD (Artistic Deficit Disorder), My painted Cigar Boxes


How do you get a floor loom in the tropics, you might ask.  You persuade your then-husband a weaving business on a beautiful island can be viable, convincing him that shipping all your belongings through the USPS packed in yarn would keep them safe & secure (which it did—only one broken bowl in 33 boxes).  You cajole him into believing the financial & logistical commitment to shipping 5 huge boxes of unfinished loom parts from Maryland to St. Croix will be a stellar proposition. 

 

Facing the pile of adult-sized tinker toys that would become my loom, I was reminded that I had NO mechanical ability, construction experience, or other aptitude for such a task.  And so, remembering the bemused faces as they read my resume’, I built it anyway. 

 

I sanded all the pieces of hardwood carefully, then applied & wiped off a coat of ½ linseed oil & ½ paint thinner.  With the first coat the wood had the tone of light clover honey, & by the second it glowed a warm amber.  The process made the wood irresistible to my fingers, & twenty years later I still absently drag my hand along the front beam when I pass it in my living room, delighting to the satiny cool feel (& knocking off some of the dust of disuse, without accepting liability for it).

 

Not being a husband, I felt no compulsion to discard instruction sheets & instead poured over them as if they contained the secrets of DNA.  I lined up wooden & metal pieces as they appeared on the written sheet, as if that would cause it to magically self-assemble.  When that failed, I rose above my inabilities like a dyslexic swan-diving into Tolstoy, and after a week of uber-concentration mixed with trial & error, I had a functioning floor loom that would weave cloth 48” (or doubled, with a fold on one side—96”) wide. 

 

Or at least it would have if I hadn’t warped it upside down.  Yup.  I got so excited at my new building skills I forgot all others, namely the steps to dress the loom in preparation for weaving.  I had been repeating these steps hundreds of times since I learned to weave at 12 years old, but this was the first time that the threads ended up bypassing the back beam entirely.  I had painstakingly accomplished all the other steps, including gridding the pattern on graph paper, winding yards of fine yarn so that the threads weren’t tangled together, cranking the length on the back beam, threading each yarn end through each metal eye & the metal reed in the appropriate order, & finally tying the yarn to the rod under the front beam in groups, adjusting & re-adjusting so each thread was held in equal tension to all the others. 

 

But somehow I had threaded under instead of over the back beam.  This meant the tension would be impossible to maintain & therefore all that work would be pointless & I’d have to slice off & discard my beautiful silk threads. 

 

I couldn’t bring myself to do it.  So, I stepped back, studied the problem & tried to adapt. 

 

There was a pile of scrap wood on the porch of our little cottage.  It was the remains of a tiki bar some oil refinery workers (the previous tenants) had built on the back deck.  I found a 2 x 4 the appropriate length, but it had seen better days & was too rough & catchy to get anywhere near the fine silk, even after sanding. 

 

So I got a roll of Cutrite Waxed paper & covered the 2 x 4 as a  faux beam, inserted it under the warp near the beam that should have been under the warp, & happily started stomping pedals & wham-whamming the reed against the rapidly forming new cloth.  It wasn’t perfect or easy, but it worked & that fabric means more to me than any other I’ve made. 

 

These were only my FIRST adaptations to life here in this strange paradise.  I can’t remember or even count most of the rest. 

 

And now, two decades later that same loom stands covered not in threads, but in carved & painted cigar boxes, one of my other projects.  Beautiful lining fabrics are folded & stacked nearby & the finished pieces will be a feature at my Agriculture Fair booth on President’s Day weekend.  I’ve adapted them into purses, jewelry & treasure boxes, & while I make sure they are still recognizable in their origins, I like to think I’ve added charm & function with what I’ve done. 

 


AgriFest 2013 From the C Booth
Ag Fair may be different this year, because we’ve lost so many residents due to our refinery closing, July of 2012.  St. Croix is facing challenges of epic scale, & the joy on our tourists’ faces is sometimes met with lines of concern on those of the residents.  Fortunately, every visitor’s smile is a reminder of what we have here, what we can offer others, and how important it will be for us to choose carefully how we will adapt.  As a part of this community, I hope & believe we will do so by maintaining our numerous treasures, adding charm & improving function.